My kit didn't have a DMC number listing so this is what I matched up in case you run out.
Loara dmc
1. Gold. 832
2. Blues 924 & 930 1 ea
3 bronze. 433
4. Dark Tan 612
5. Med Grey Green 3052
6. Brown 610
7. Med Tan. 613
8. Willow Green 523
9. Dk Green 934
10. Chestnut. 829 & 830. 1 ea I subbed DMC 918 to match the picture
"Loara Standish is my name Lorde guide my hart that I may doe thy will also My hands with such Convenient skill as may Conduce to virtue void of Shame and I will give The glory to thy name" Reproduced by Joanne Harvey The Examplarery.
Saturday, April 23, 2011
Sunday, April 3, 2011
Band 4
Band 4
Spring Break over..vacation done and daughter back to University now back to stitching!
This band required a little more focus. I had to rip out a bit due to trying to watch movies and stitch at the same time. I didn't care for the double strand use but single didn't look right over 3. The instructions say there are 9 tan and 9 blue but the picture shows 10 tan which is correct.
I did the lower running band first then the blue motifs. There are 7 blue b/s between blue motifs.
Spring Break over..vacation done and daughter back to University now back to stitching!
This band required a little more focus. I had to rip out a bit due to trying to watch movies and stitch at the same time. I didn't care for the double strand use but single didn't look right over 3. The instructions say there are 9 tan and 9 blue but the picture shows 10 tan which is correct.
I did the lower running band first then the blue motifs. There are 7 blue b/s between blue motifs.
Loara Standish Band 3
This band was a bit confusing because the directions called it a long Arm Cross but the diagram looks more like an upside down Montenegrin stitch. I love the Long Arm Cross stitch more than the Montenegrin so I was torn which to do it as. Following the diagram it crosses over several stitches a couple times and looked bulky to me but I think this was so the back came out ok. This was not an important point to me since I was doing the non-reversible anyway. I ended up doing a regular long arm cross and liked it the best.
Loara Standish Band 2
The chart says count down 6 threads but I figured that is where you begin the next stitch below. Not 6 stitches between rows at least not what I could tell from the picture. I put 3 threads between row 1 and 2.
Band Two took me a bit to get use to since its stitched "over 3". If you remember that when you come up at a vertical thread you cross down into a vertical thread and same when coming up at a horizontal thread then down a horizontal. And if stitching upward or downward in a continuous row you will do one in a vertical then the next horizontal etc. Once you get the routine down its pretty simple. The tendrils or backstitches on the chart aren't easy to tell which is what colour so I had to look at the picture. The tendrils coming off the blue crosses are blue and the BS off the tan crosses are tan. Here you can also see a close up of Band 1
Loara Standish Sampler-non-reversible-Band 1
The Loara Standish Story
Loara Standish story
Loara Standish Sampler.
Made by Loara Standish.
Material : Linen with silk embroidery.
Made in Duxbury, MA, c1653.
Descended in the Standish and Alden families.
Loara Standish, daughter of Captain Myles Standish, is thought to have made this sampler in her teens. It is the earliest known American-made sampler and the earliest known sampler with a verse.
Samplers of the 16th to mid 18th centuries served as permanent records of stitches and designs, intended for reference, unlike later samplers that were planned for display. American samplers followed the British form, as instruction in needlework passed from mother to daughter.
Typically, Loara Standish’s sampler is long and narrow (measuring approximately 7 1/4" wide x 23 1/2" tall) with patterns arranged in horizontal bands. Stitches, worked in counted thread embroidery on very fine 50-count linen, include Montenegrin cross, long-armed cross, back, outline, eyelet, double running and arrow-head. The rose, carnation, oak leaf and an intertwined "S" are among the stylized floral motifs above the verse :
"Loara Standish is my name
Lorde guide my hart that
I may doe thy will also
My hands with such
Convenient skill as may
Conduce to virtue void of
Shame and I will give
The glory to thy name"
Pilgrim Hall-Sampler Info
Made by Loara Standish.
Material : Linen with silk embroidery.
Made in Duxbury, MA, c1653.
Descended in the Standish and Alden families.
Loara Standish, daughter of Captain Myles Standish, is thought to have made this sampler in her teens. It is the earliest known American-made sampler and the earliest known sampler with a verse.
Samplers of the 16th to mid 18th centuries served as permanent records of stitches and designs, intended for reference, unlike later samplers that were planned for display. American samplers followed the British form, as instruction in needlework passed from mother to daughter.
Typically, Loara Standish’s sampler is long and narrow (measuring approximately 7 1/4" wide x 23 1/2" tall) with patterns arranged in horizontal bands. Stitches, worked in counted thread embroidery on very fine 50-count linen, include Montenegrin cross, long-armed cross, back, outline, eyelet, double running and arrow-head. The rose, carnation, oak leaf and an intertwined "S" are among the stylized floral motifs above the verse :
"Loara Standish is my name
Lorde guide my hart that
I may doe thy will also
My hands with such
Convenient skill as may
Conduce to virtue void of
Shame and I will give
The glory to thy name"
Pilgrim Hall-Sampler Info
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